Photo by cottonbro studio on PexelsA new ITV thriller titled ‘The Dark’ has begun to draw significant attention from critics, with early reviews highlighting its distinctive and often intense atmosphere. Described by The Guardian as a “gothic crime drama” that is “so icily creepy it’s practically a heatwave antidote”, the series appears to be making a strong impression on viewers seeking a compelling new watch.
The Times has similarly characterised ‘The Dark’ as a “serial-killer thriller” and a “gloomy slice of tartan noir”, indicating a specific regional flavour and a sombre tone. This suggests the series aims to deliver a chilling experience, moving beyond conventional crime narratives into more atmospheric territory.
The new ITV series is positioned as a notable entry into the crime drama genre, already garnering comments on its unique stylistic elements. The Guardian’s observation of it being an “icily creepy” “gothic crime drama” points towards a show that prioritises mood and unsettling tension, potentially offering a different kind of viewing experience compared to more traditional thrillers. This kind of genre blending often captures a broad audience, similar to how series exploring darker themes like Stranger Things Finale: A Complete Recap and What It Means for the Future can resonate with those looking for atmospheric storytelling.
Adding to this, The Times further refines the description, labelling it a “gloomy slice of tartan noir”. This term typically refers to Scottish-set crime fiction known for its dark themes, bleak landscapes, and often morally ambiguous characters. The combination of “gothic” and “tartan noir” suggests a production steeped in a particular aesthetic that promises to be both visually and emotionally challenging for its audience.
Critics have been quick to comment not only on the narrative and atmospheric qualities of ‘The Dark’ but also on its distinctive visual presentation. The Telegraph notably remarked that viewers “will need to whack up your TV’s brightness to watch this ITV thriller”, a comment that underscores the show’s commitment to a dark visual palette. This stylistic choice, while contributing to the “gloomy” and “icily creepy” atmosphere, might also mean an intentional departure from brightly lit, easily digestible visuals.
The Times review specifically mentioned the involvement of actors Laura Donnelly and Mark Rowley in the series, indicating key performances that contribute to its “serial-killer thriller” narrative. Their presence in a project described as a “gloomy slice of tartan noir” further solidifies the show’s dark and serious thematic undertakings. The consistent critical emphasis on the series’ unsettling nature and visual darkness suggests ‘The Dark’ is aiming for a deeply immersive and perhaps challenging viewing experience, rather than a light-hearted or easily overlooked drama. For more details on the critical reception, see The Guardian’s full review here and The Times’ assessment here.
For London and UK news readers seeking quick, clear coverage of the day’s significant stories, ‘The Dark’ represents a new and critically notable offering in television. If you are looking for a show that promises an “icily creepy” and “gloomy” atmosphere, with a distinct “gothic crime drama” or “tartan noir” flavour, then this ITV thriller could be a prime candidate for your watchlist. Be prepared for a visually dark experience, as reviews suggest you may need to adjust your TV’s settings to fully appreciate its aesthetic. Its early critical reception signals it as a series generating considerable discussion for its unique take on the thriller genre.
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